Introduction
I have written a bit about recrafting a tune by revising the melody, harmony, accompaniment, and overall vibe (see below). I have gotten results using the music AI at UDIO.COM (soon to be bankrupted by the music industry majors through copyright lawsuits, I think).
I have taken one of my tunes and come up with six UDIO versions. The tune was called “I'd Be a Fool to Take You Back.” Each version uses the lyrics from my tune.
I think the results are pretty good in all cases, but what I have found is that the melodies, phrasing, and emphasis are quite different in each case. Previously, I had considered re-melodization as an exercise for a person, probably via singing extemporaneously over lyrics, or maybe lyrics plus chord progression. With UDIO, I get some quite dramatic results from an algorithm, running on a database scraped from existing tunes!
So, if I go to sing the tune, which version do I choose? Confusion reigns in my mind; I can not decide!
Problems with UDIO
UDIO is amazing, but I fear for its future. However, copyright aside, it has a number of annoying features that temper my amazement at its capabilities. I may not fully understand how to drive it, so take my observations as provisional.
It produces random results, slightly corresponding to prompts.
It ignores prompts.
It rewrites prompts (although there is a control for that).
It substitutes its own prompts for names of artists, groups, or tunes. Sometimes these are apropos, often they are not. Presumably, this is done to avoid copyright cases. Ain’t workin’.
It will only accept a small amount of your lyrics at present, even with a paid subscription.
It can go off into the wild blue yonder and ignore your lyrics, add its own, or add absolute gibberish.
It sometimes goes off into lyric hyperspace with added material and noises, often unintelligible, and it is hard to bring it back.
I does not respect your intentions as to where the music pulses are, and there is no way to convey such things to the algorithm.
It adds random pauses and fills between lines of lyrics when such are not indicated.
It will often add endless fills and instrumentals, intros where none are desired.
You cannot seem to get a voice reliably; it is hit or miss.
It adds extra voices to what should be a solo part. Sometimes it adds a pair of voices.
You cannot change the voice on a tune once it is established. For instance, my intention on “I’d be a Fool to Take You Back” was to have the bridge done by the distaff partner. It makes more sense that way. However, I have not been able to change the voice to another. No dice.
Overall, there is little control over the output; no direct control.
So, now, for my tune:
UDIO Does "I'd Be a Fool to Take You Back"
Adult Contemporary Maybe
A British Voice Maybe
Seems to be a Country Voice
A Eurythmics Approach
Maybe Midwestern
Maybe Soul/R&B Vibe
My Original Croaking
For reference, mock me if you like.
Previous Writings on Re-melodization
UDIO and Multiple Interpretations
UDIO Interpretations of Some Lyrics I had some old, kind of quirky, lyrics. I decided to see what would happen with UDIO and these lyrics. See UDIO.COM, a music AI application. UDIO does not give much control over the arrangement, but I was able to get various interpretations of the lyrics with different runs. What is interesting is that of the various re…
My Banal Lyrics versus Annie Lennox
And Now for Something Completely Different Below is one of the lesser known tune from the 80s by the eurythmics (well maybe, maybe not): 😉 I thought the lyrics were not one of my better efforts, but Annie Lennox did a good job with them, in her weird style. 😉
Re-crafting a Tune
Here is one example: When re-crafting a tune, the challenge lies in the delicate balance between transformation and preservation. If nothing remains constant, you will be composing an entirely new piece, losing the essence of the original. To re-envision a tune effectively, we must consider and manipulate several core elements: melody, harmony, rhythm, m…
Re-crafting Lyrics
If you are wanting to try a different melody for a tune, it is no different from creating a melody the first time. Let us assume that you will keep the lyrics pretty much the same. You have two polar approaches: Use the harmony, the chord progression, to shape the melody. You can use the existing progression or create a new one.